【在庫あり】moog モーグ / Moog One 16 VOICE【YRK】

究極のMoogシンセサイザー！ 8voice 16voiceモデルをラインナップ。

Moog One は究極のMoog シンセサイザー：3 ティンバー、ポリフォニックなど、イマジネーションを揺さぶり、創造性を刺激し、サウンドの新たな地平を切り開くべく開発されたアナログ・ドリーム・シンセ。

Moog 初のポリフォニック・アナログ・シンセサイザー登場から30 年以上の時を経て、Moog のポリフォニック・インストルメントへの期待を超えるため長年に渡り行われたリサーチの集大成、それがMoog One です。

TRIANGLE CORE OSCILLATORS 各Moog Oneボイスは、3つの新しく開発されたトライアングルコアアナログVCOを採用しています。

各オシレータの出力は、選択可能な三角波/ノコギリ波と可変幅のパルス波を組み合わせたものです。

トライ/ソー波形とパルス波形を混ぜ合わせると、高調波の自由度が新たに広がり、アナログシンセサイザーには見られない複雑な波形が生まれます。

Moog Oneのオシレーターセクションには、ハードシンク、アナログリングモジュレーション、そして無限のアナログサウンド生成のためのFMが装備されています。

【主な仕様】 ●ポリフォニック、3 ティンバー・アナログ・シンセサイザー ●各ボイスのオシレーターに新開発の三角波コア・アナログVCO を採用 ●各ボイスにはデュアル・ソース・アナログ・ノイズ・ジェネレーターを搭載 ●2 種類のフィルター：ラダー・フィルターとステート・バリアブル・フィルター ●各セクション（モジュール）の「More」ボタンでより詳細な音作りが可能 ●ティンバーごとにシーケンサーやアルペジエイター、内蔵エフェクトを使用可能 ●キーボード上に3 ティンバーを簡単に配置できるレイヤー/スプリット機能 ●Eventide(R)製リバーブ搭載 ●アナログ、デジタル幅広い接続性 ●8 ボイス/16 ボイス・モデルをラインナップ 【SPECIFICATIONS】 SYNTHESIZER TYPE: Polyphonic, Tri-timbral Analog Synthesizer SOUND ENGINE: Analog (Digital Effects can be bypassed to maintain 100% analog signal path) POLYPHONY: 8 or 16 voices KEYBED: 61 full-size keys with Velocity and Aftertouch (Fatar TP-8S) CONTROLLERS: Pitch Wheel, Modulation Wheel, X/Y Pad (with pressure-sensing and hold), Sustain PANEL CONTROLS: 73 knobs and 144 buttons; LCD screen OSCILLATORS (x3): Selectable Sawtooth wave with variable reset time or Triangle wave with variable rise and fall times, variable-width Pulse wave, Octave (32’, 16’, 8’, 4’, 2’), Frequency (+/- 7 semitones),Beat Frequency (+/- 7Hz), Wave Angle (Triangle and Saw), Pulse Width, Mix (blends the selected Triangle or Saw wave with the Pulse wave), FM routing and amount, and Hard Sync RING MODULATOR: Selectable routing (1-2 or 2-3) DUAL SOURCE NOISE GENERATOR: Selectable sources (Red + White, Red + Purple, and White + Purple) with Color Mix and dedicated ARS envelope MIXER: Independent levels and filter routing for OSC 1, OSC 2, OSC 3, RING MOD, NOISE, and EXT IN FILTERS: State-Variable Filter; Ladder Filter (Mixable, Parallel or Series operation) STATE VARIABLE: Two -12dB per octave filters operating as one filter, configurable as NOTCH, BP, LP,and HP – with -12dB or -24dB slopes; Cutoff, Resonance, etc LADDER FILTER: Moog Ladder Filter with HP or LP options, and selectable filter slopes (-6db, -12db,-18dB, or -24dB); Cutoff, Resonance, etc. ENVELOPES (x3): Delay, Attack, Hold, Decay, Sustain, and Release; variable curves per stage, plus multi-triggering, looping, latching, and sync LFOS (x4): Dual-waveform categories with variable shapes (Triangle to Sine, variable-width Pulse,Saw to Ramp, S&H to Noise), assignable and variable transitions; fade-in/fade-out times, repeat count, phase start, etc. GLIDE: Selectable glide type (LCR, LCT, EXP), gated glide, legato glide, glissando ARPEGGIATOR: Per-Synth with octave range, pattern, direction, pendulum features, gate time, sync, etc. SEQUENCER: 64-step per-Synth sequencer with step-editing and modulation capabilities SYNTH EFFECTS: Dedicated in-line effect per SYNTH 1, SYNTH 2, and SYNTH 3 (When disengaged, the signal path is 100% analog) MASTER EFFECTS: Dual monaural sends with stereo return, or single stereo send with stereo return.(Accessible by all three Synths - Eventide(R) Reverbs are available on the Master Buss only) BROWSER: Stores tens of thousands of PRESETS and TIMBRES with definable Categories, Tags and Labels to aid search results. TIMBRES can be loaded to and played by any Synth PERFORMANCE SETS: Create, save, and manage up to 128 Performance Sets offering single-button access to up to 64 PRESETS SETTINGS: Access to pages for managing Libraries, Tuning features, plus Utilities such as updates, configuring ins and outs, etc. MOD MATRIX: Provides the ability to map modulation sources to destinations at will, using either controllers or addressable transforms to articulate the modulation signal VOICE ALLOCATION: Mono or Poly voice count per Synth, unison/mono detune (48 oscillator max.),Chord Memory, plus voice stealing/sharing options SNAPSHOT, COMPARE: Built-in tools for saving and comparing during programming VCA SECTION: VCA level per Synth, Pan per Synth OUTPUT SECTION: Master Volume and Headphones volume controls AUDIO OUTPUTS: Main L, Main R (1/4” TRS balanced; TS unbalanced compatible) SUB OUTPUTS: Sub 1, Sub 2 (1/4” TRS balanced; TS unbalanced compatible) AUDIO INSERTS: Insert 1, Insert 2, Insert 3, Insert 4 (1/4” TRS Send / Returns- Can be used as TS monaural outs) EXTERNAL MIC/LINE INPUT: XLR + 1/4” TRS combo jack with trim knob EXTERNAL LINE INPUT: 1/4” TRS (TS compatible) HEADPHONES: 2x Stereo 1/4” jacks (located on the front edge of the Left Hand Controller) CONTROL VOLTAGE INPUTS: CV IN 1, CV IN 2 (1/4” TS) CONTROL VOLTAGE OUTPUTS: CV OUT 1, CV OUT 2, CV OUT 3, CV OUT 4 (1/4” TS) PEDAL INPUTS: Sustain, EXP 1, EXP 2, (1/4” TRS; configurable through the Modulation Matrix, or as 1/4” TS CV Inputs) MIDI: Five-pin DIN ports for MIDI IN, OUT, and THRU; MIDI over USB USB: HOST port (allows system and data backup) USB: CLIENT port (connects to other USB gear, computers, etc.; accommodates class-compliant peripherals) LAN: Network port (CAT-5 Ethernet) for future expansion and remote service WEIGHT: 45 lbs. / 20.4 kg (approximate) DIMENSIONS (W x D x H): 42 x 20 x 7 (inches); 107 x 51 x 18 (cm) UD20190621